Saturday, February 8, 2014
PAUL LEONARD-MORGAN / Dredd (2012)
There’s an occasional frail, textured wave of hope attempting to break through the overabundant distortion but the thick bass keeps it cruelly subdued.
The timing seems a little haphazard in places; almost as if it was made by a bedroom musician dabbling in Cubase. I assume that was intentional.
Songs of Note: The Plan; Taking Over Peach Trees
3 lockdowns out of 5