2012 was a busy year for Portishead's Geoff Barrow with his side-projects Beak> and Quakers releasing full-lengths I don't know where he found the time to work with composer Ben Salisbury as well.
Drokk: Music inspired by Mega-City One is what I suspect Barrow & Salisbury intended to be the score for Pete Travis' Dredd film before Paul-Leonard Morgan took over composing duties. Rather than acknowledging the film, the duo opted to draw inspiration from Mega-City One of the comic books with a cold-hearted John Carpenter-esque blanket of menacing synth cues. Drokk does nothing to hide it's '80's darkwave influences and relies heavily on throbbing arpeggiators, fuzzy synth strikes and stroboscopic drones spiraling in and out laying down an immensely unsettling atmosphere that threatens to suffocate with paranoid claustrophobia. 3½ Escapes from drokking Mega-City out of 5
Songs of Note: Helmet Theme; Exhale
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