TOTO / Dune OST (1984)

The soundtrack to Lynch's Dune is as patterned and layered as the film itself: mournful thoughtfulness gives way to epic hero themes that—ironically, considering the setting—have the essence of giant waves crashing on distant shores. The most memorable motif is almost identical to part of Ronald Stein's The Haunted Palace (1963) score, but it works in both settings, so I'm able to forgive the 'coincidence'. The opposing factions and Houses are well-represented through varied use of percussion and there's even a romantic theme or two, should you feel the need for a dreamy accompaniment to the overwhelming heroism.
Track titles are super-spoilery, so, rather than pick what I consider the two best tracks, I'll instead showcase the first two on the album:

Songs of Note: Prologue-Main Title; Guild Report

5 waking dreams out of 5

BRIAN ENO / Lux [2012]

Returning to his ambient roots, Brian Eno gives us 2012's Lux, a piece broken up into 4 parts intended as audio for an art exhibit in Turin, Italy.
Eno's dream-like soundscapes of serenity from space or underwater (can't really tell which) is sprinkled with sparse stray piano notes and chords over gentle drones and twinkles.   It produces images of different shades of light slowly morphing into each other as each texture slowly swells and collides into the next with such ease the average listener might not even notice.  The thing with this type of music, as pleasant as it can be, it offers you the same experience whether you give it your undivided attention or let it play in the background.  In short: it's a either a good yawn or a bad yawn, depending on the listener.

3 illuminous emittances out of 5

Songs Of Note:  Lux 1; you get the idea.