BATHORY / Jubileum: Volume I (1992)

Quorthon was still alive in '92 but he'd publicly called it a day as far as Bathory was concerned (it didn't last, he came back with the Requiem (1994) album, but that's for another time) and so the plundering of the back catalogue by the record label began. Jubileum: Vol I is an uneven and messy compilation. As an introduction it fails; the tracks are all great but Bathory's pronounced evolution over the years means the songs fight each other when taken out of chronological order, which is how they're presented here. As if in apology, Black Mark included a handful of rare and unreleased material. As usual with this kind of collection, I'll link the new songs even though they aren't the best the album has to offer, because some fans may not be aware of them.

Songs of Note: Rider at the Gate Of Dawn; Crawl to Your Cross

4 eternal fires out of 5

SKINNY PUPPY / Weapon [2013]

After several albums in a row were criticized by fans of their older work, Industrial pioneers Skinny Puppy make a return to form of sorts on 2013's Weapon.
Scaling back on the guitars, the act push the abrasive synths and broken but driving drumbeats to the forefront again, making a wonderful minimal backdrop for Nivek Ogre's distorted angry "European" Muppet vocals to glue everything together.  It might be a throwback to their early days but it still manages to keep a melodic danceable tone to it that makes it a little more accessible than their earlier outings.  Even with it's multiple weak spots, this album is still welcome in my Skinny Puppy collection.

3 human animal weapons out of 5

Songs Of Note: illisiT; paragUn

GHOSTFACE KILLAH / Twelve Reasons To Die [2013]

Wu-Tang Clan's Ghostface Killah and multi-instrumentalist/producer Adrian Younge team up on the 70's slasher flick inspired 2013 concept album Twelve Reasons To Die.
Sounding like a funkified soul tribute to Ennio Morricone, Younge mixes the album in such a dry way it's quite effective as it warms the ears like the faded pastel colors of a giallo film.  Deteriorated piano lines, waves of wobbly organ chords and soothing string sections confirms Younge is a master craftsmen.  While GFK's delivery is on fire as always with his tongue in cheek lyrics that results in a fuckin' bloodbath by the end of the immensely entertaining album.

4 souls in the vinyl out of 5

Songs Of Note: The Center Of Atraction [feat. Cappadonna]; An Unexpected Call [feat. Inspectah Deck]

BURZUM / Sôl austan, Mâni vestan (2013)

The promise to create three skaldic instrumental/electronic albums is fulfilled. Better twelve years late than never, right? I've been disappointed with his recent metal albums, so it was with a happy nod that I greeted Sôl austan.
It's a concept album, similar to Dauði Baldrs (1997) and Hliðskjálf (1999), that documents a descent into darkness followed by a redeeming ascent back into the light. Burzum fans will know what the 'dark' and 'light' represent.
It's reminiscent of the ambient tracks on his Black Metal albums, but without the contrast it all feels rather empty and samey. It's hard to shake the feeling that it sounds like an age-old video game soundtrack, not the modern film score that it's supposed to be (the film is ForeBears).

Songs of Note: Feðrahellir; Sôlbjörg

2½ compass directions out of 5

EL BOY DIE / The Black Hawk Ladies & Tambourins (2010)

The El Boy Die sound has a skeletal underpinning of traditional folk and Neo-folk but is then layered with psychedelic melodies, acoustic guitars, tribal chants and even orchestral ambience. The parts fuse into an organic sound that shifts effortlessly from beautifully haunting and shadowy to serenely calming and whimsical. I could bombard you with similar adjectives for the next hour and not run dry. Just give the album a listen and see for yourself, but bear in mind that the only track I could find to link to isn't representative of the album as a whole.

Songs of Note: Dead Kings; Moona Luna Tears

4 hypnotic deaths out of 5

HAGALAZ' RUNEDANCE / Urd - That Which Was (1999)

Andrea followed up a wonderfully evocative début album with a half-assed E.P. that sticks to the pagan/neo-folk template for just two songs before descending into lazy dance beat remix territory. The remixes are appalling. Why she allowed that kind of crap to sully her beautifully stark and honest work is a mystery. Urd should've been a single, not an E.P. with 60% filler.
Of the two tracks that are worth your time, Wake Skadi was later re-recorded for the Volven (2000) album, where it sounds much better. So, really, all you'll need Urd for is the title track, and it's not even very good. It's more trance than tribal.

Songs of Note: Wake Skadi; Urd - That Which Was

1½ veils out of 5

TOM PETTY AND THE HEARTBREAKERS / Greatest Hits (2003)

Like it says in the post title, this is a Best of...  It's a good introduction to Tom's work and a great way for the fans who found him through the success of Into The Great Wide Open (1991) to develop an appreciation of his early years. He's been producing consistently good work since 1976.
For existing fans there's two new tracks. One is a cover of Thunderclap Newman's Something in the Air, and the other… The other is the one I'd pick as being the best damn Petty track I've ever heard. I've linked both below (even though there are better tracks than Something in the Air on the album).

Songs of Note: Something in the Air; Mary Jane's Last Dance

5 Southern flights out of 5

BECK / Odelay (1996)

Beck was the counter-culture beat poet of his generation. He's slipped in recent years, but back in the day he was unsurpassed. Odelay takes eclectic cues and influences from all over. There's folk, country, garage, atonal electro, hip hop, calypso, eastern percussion, Beastie Boys style rap and much, much more. It's the musical equivalent of a hazy but purposeful collage of colours and textures cut from magazines with crinkle scissors. You'd maybe imagine that would produce a jarring aural experience, but everything flows beautifully from one trip to the next, meaning the album should be enjoyed as a whole, not split for a playlist.

Songs of Note: The New Pollution; Jackass

5 scratchy record sounds out of 5

ANTI-NOWHERE LEAGUE / We Are...The League (1982)

ANL are funny. The music is balls-out British Punk with real passion but the lyrics, covering everything from sexual perversions to self-defacing slogans with a ton of Fuck You, take the piss out of the things they love. It's anthemic tongue-in-cheek defiance delivered as a straight-faced offensive and it's glorious. It'll invigorate the youth, shock the middle-aged and make the aged titter. Their début album contains what's possibly the greatest punk love song ever recorded.

Songs of Note: Animal; Woman

5 Animal growls out of 5

HELLOWEEN / Metal Jukebox (1999)

A collection of cover songs in the Helloween style. Some of the choices I'd have thought unsuitable to their cheesy power metal (ABBA? Really?) but they occasionally do interesting things with the works. Whereas others are less out of the ordinary; e.g. Bowie's Space Oddity was a complete waste of time. But, as usual, points for trying. The cover of Hocus Pocus (originally by Focus) is fun but not nearly daring enough, which is something that can be said for the majority of the tracks. Before you ask, yes, there's yodelling.

Songs of Note: Locomotive Breath (Jethro Tull); Faith Healer (Alex Harvey)

2 coins in the slot out of 5

PIGFACE Vs DJ Linux / Dubhead (2004)

A remix album featuring songs from the Easy Listening for Difficult Fuckheads (2003) album in various states of deconstruction. Track titles are changed so you can't tell until you pop it in the player what the hell you're getting.
It's not all Dub like the title suggests, and in typical Pigface style it's not all good either. There's a stigma of laziness attached to remix albums that Dubhead doesn't completely shed, but it's Pigface, so we lap it up anyhow.
Google tells me that DJ Linux is Chris Haskett (ex- Rollins Band guitarist).

Songs of Note: Gospel of Thomas Dub; Dub Your Own Business

3 crumbs on the table out of 5

PRONG / Cleansing (1994)

Prong's fourth album incorporated elements of industrial into the already hybridised sound, making them even harder to categorise.
It's filled with chunky guitar riffs similar to what Pantera were belting out, but Prong had that extra melody and Tommy Victor on vocals. Tommy's vocals never really lost the hardcore edge even when the music did, it's the thing that people seem to dislike the most about the band, but it doesn't bother me.
What makes the album less than great is the second half. It's not as varied nor as catchy as the first half and is, in truth, a little boring in places.
Cleansing was the first release to feature Paul Raven on bass, bringing them officially up to four members.

Songs of Note: Whose Fist is this Anyway?; Snap Your Fingers, Snap Your Neck

3½ broken pieces out of 5

TYPE O NEGATIVE / World Coming Down (1999)

Type O Neg are dark, we all know that, but there's always a lighter, mocking tone lurking in the background. They embraced Goth culture and all its trappings while simultaneously poking fun at its morose bastard absurdity. The knowing wink to self-parody is still evident (e.g. Creepy Green Light) but it's been lessened, and in its place the depression has flourished like a funeral lily.
Lyrically, its primary focus is death and the emotional agony that surrounds it like flies around shit. It's a mournful experience that's nevertheless an engaging one, but only if you're in the right mood. If you're not, it'll be a miserable crawl through distorted riffs and slow painful melodies imbued with sorrowful synergy.

Songs of Note: Everyone I Love is Dead; Everything Dies

3½ cremated moths out of 5

KATE BUSH / The Red Shoes (1993)

The Red Shoes album seems to divide fans more than any of Kate's other more experimental releases. I find that odd because, while it's certainly a multi-layered work, it's not an overly complex album. It's layered in a very safe and organised way. The maturity in her arrangements, coupled with the confidence and belief in her own ability, give it the edge needed to overcome the 'Pop album' tag. For me, it's another strong release from a very unique talent. I heard it first during a turbulent time in my life, and even though listening to it stirs up those memories from time to time, it helps me to better appreciate them, too.
Kate made a short film to accompany the album, you can read about it HERE.

Songs of Note: Rubberband Girl; The Red Shoes

4 discs of golden light out of 5

LINKIN PARK / A Thousand Suns [2010]

Linkin Park's 2010 album, A Thousand Suns, was not well received when it was first released for being too different from what was expected of them.  I'm guilty of not being thoroughly impressed with it either.
However after a few years, LP's second outing with producer Rick Rubin, has warmed up quite nicely.  Each song, whether it be a straight up rocker, a dance floor thumper, Public Enemy-esque hip-hop or even spacey ambience, is constructed with care and passion.  I think a lot of has to do with Rubin pushing the group to go that extra step they wouldn't normally go but it's apparent the band already knew what they were doing to begin with.  Once a generic nu-metal/rap act, Linkin Park have mutated themselves into something more thoughtful and creative than their dwindling peers.

4 Bhagavad Gita's out of 5

Songs Of Note: When They Come For Me; Iridescent