Nut Suite. Mini reviews of albums old and new. Minimum words. No fuss. No spoilers [?]. Occasional smugs.

Thursday, January 26, 2012

HELLOWEEN / Keeper of the Seven Keys Part I (1987)

Helloween basically invented European Power Metal on Keeper and its sequel, but I can forgive them because they did it properly. The much-maligned bollocks revival that happened a few years back isn't worthy to wipe Helloween's collective asses. Their music is frantic and melodic, with choruses that you can't help but enjoy. It's packed with varied twists and turns, which leave little room to get bored. It's peppered with widdly solos that work - a rare thing, in my book. Vocalist  Michael Kiske has a unique voice that's part operatic and part Bruce Dickinson. The album is just under thirty-seven minutes long, but it has a vitality that means it lingers in the mind for much longer.

Songs of Note: Twilight of the Gods; Future World

4½ pumpkins and ticking clocks out of 5

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